Showing posts with label dslr filmmaking. Show all posts
Showing posts with label dslr filmmaking. Show all posts

Monday, January 26, 2015

New Panasonic GH4 v2.1 firmware update is great for Shogun & 25p shooters - everyone else, not so much



As you have probably read elsewhere, Panasonic released firmware updates v2.1 for the GH4 and v1.1 for the YAGH last night.   You can download these updates here.

Along with a couple of other minor fixes, the headline updates add timecode and a start/stop command to HDMI out when the camera and/or YAGH are connected to the Atomos Shogun.

Panasonic has also added 30p and 25p native output to HDMI at 1080p - a big deal for 25p shooters.

This is great news for owners (and potential owners) of the $1995 Atomos Shogun - and for shooters in PAL areas, especially Europe.

But it is a little disappointing for the rest of us.

While Panasonic fixes the GH4's compatibility issues with Shogun, other 4K camera manufacturers (e.g., Blackmagic and Samsung) are moving ahead with more substantive fixes and upgrades.  And the Sony A7s remains the only camera in this class with a LOG profile.

To stay competitive, Panasonic might want to aim the next GH4 update at fixing more fundamental problems for the entire user base - such as:
  • Lack of a LOG profile.  GH4 shooters need a flat, gradeable profile we can dial in without having to memorize a bunch of sharpness, saturation, contrast and master pedestal settings. Without a LOG profile, the GH4 is less competitive with the Sony A7s and S-LOG2.

  • Single, fixed 4K/24p frame rate. Blackmagic added 4K/80p to the URSA after release. 4K/60p for the GH4 would be nice, but I'd even take UHD/60p.

  • Single, fixed autofocus speed. The GH4 needs a variable video autofocus speed control to make autofocus plane changes less jarring. Samsung added this feature to the NX1 after release.

In my view, firmware update strategy has become an arms race.  The manufacturer that can match or outpace its competitors in this race over time will maintain leadership in the marketplace.  Those that are slow to respond are likely to lose out to more agile companies.

The GH4 is a great camera, and still a very good value for the money, but Panasonic needs a more competitive firmware update strategy.

If the company isn't careful, the GH4 could become this era's "AF100" - a camera that invents a whole new category - and is then eclipsed by more agile competitors.

As always, if anything here has helped you to make a purchase decision, please shop using the links above or the displays below and in the margins. And even if you're not in the market for a new camera, please comment and make suggestions below. It won't cost you anything extra, and it will help to keep these posts coming.

And for the latest deals, news, tips and techniques, please follow HCR on Blogger, Twitter and YouTube and circle us on Google+.




Thursday, January 1, 2015

Canon wakes up and smells the coffee - HUGE price drops on C100 Mark I, C300 and C500 Cinema EOS cameras!



Click on the image for price cut details!
With the beginning of a new year, the dam is starting to burst on Canon's ridiculous Cinema EOS prices. As of this morning, the PL mount Canon C500 is $15,999 (down from $30,000), the EF mount C300 (with the dual pixel AF upgrade) is $11,999 (down from $18,500) and the C100 Mark I is $3,999(!) (down from $6,499).

The headline news from these price cuts is that Canon seems to be taking the threat from Aja, Sony and Blackmagic very seriously. In a world where shooters can buy a PL mount 4K/120p APS-C Aja Cion and record to 12-bit 4:4:4 ProRes for $8,995 or an EF mount UHD/80p Super 35mm Blackmagic URSA and record to losslessly compressed CinemaDNG RAW for $5,995 - it doesn't make a lot of sense to spend $18,500 for a 1080/30p Canon C300 that records to a maximum 8-bit 4:2:2.

My guess is that this reality was starting to show up in Cinema EOS sales - and Canon, to its credit, responded. Time will tell whether these price cuts will halt the slide - or if it's a case of "too little, too late".

Shooters who bought these cameras in the last few months and are outside of their return windows aren't going to be happy, but, overall this is very good news - especially for Canon DSLR upgraders. With the cost of a C100 with XLR inputs and a top handle now just $1500 more than a sale priced 5D Mark III, it's almost a no-brainer.

As always, if anything here has helped you to make a purchase decision, please shop using the links above or the displays below and in the margins. And even if you're not in the market for a new camera, please comment and make suggestions below. It won't cost you anything extra, and it will help to keep these posts coming.

For the latest deals, news, tips and techniques, please follow HCR on Blogger, Twitter and YouTube and circle us on Google+. Happy New Year and thanks for your support of the revolution in 2014!




Thursday, April 24, 2014

Selling my Pocket Cinema Camera for a GH4 - Why?





I still love my Blackmagic Pocket Cinema Camera. I have found ways to overcome its handling limitations (with an inexpensive LCD shade, a loupe and a pistol grip).



I have learned to combine its expanded image and peaking features for razor sharp manual focus, its small form factor is convenient and visually appealing, I absolutely love 10-bit ProRes and, now that the GH3 is back over $1000, the BMPCC is the only sub-$1000 camera with a headphone jack. So, why am I selling it to buy a Panasonic GH4?

Because the BMPCC is the last camera I pick up when I leave the house. On the other hand, I take the GH3, with its 'inferior' 8-bit codecs, everywhere I go. It turns out that I need to be able to shoot a high quality still photo every once in a while - and an iPhone just doesn't cut it for me. So, I guess I chose the right title for this blog. I am a hybrid still/video camera shooter, still looking for the "revolutionary" camera that can do it all. Is the GH4 that camera? Hopefully, we'll see in a few weeks.

If you're looking for a 12-bit RAW cinema camera for $899 and you're in in the SF Bay Area, click on one of the pictures above or this link to see my Craigslist post. If you prefer a new BMPCC, GH3 or GH4, please click on one of the links above or the display ads below. It won't cost you anything extra, and it will help keep these posts coming. Thanks!

Thursday, April 3, 2014

GH4 Footage Starting to Arrive Before NAB



Panasonic DMC-GH4 with DMW-YAGH Pro A/V Interface Unit - $3298

We're starting to see more GH4 footage in advance of the big show. Here is a nice little fashion film from Mytherapy in London:




Here is the Behind-The-Scenes:




And for the pixel peepers in the audience (you know who you are), here is Andrew Reid's side-by-side between the GH4, GH3 , 5D Mark III (RAW and h.264) and D7100 . Please read Andrew's blog post after you watch the video:




In my view, the frame grabs at the bottom of Andrew's blog post tell the story. The reigning champ of micro-budget cinema, the Panasonic GH3, seems to have been decisively dethroned (especially now that prices have gone back up to list).

The Blackmagic Pocket Cinema Camera - and even the Sony RX10 - were mere pretenders to the throne. But now, the king is dead - long live the new king!

Sunday, March 16, 2014

Panasonic Posts New GH4 1080/96p Slow Motion Video!



EDIT: I'm leaving this post up - although Panasonic seems to have pulled the video. I will re-post if I find a new link. A little frustrating that they would put this out there and then pull it down.


Although we have seen some 1080/96p slow motion from the camera, it is always nice to see more.

Panasonic's real point in posting this video, however, is to showcase the new CineLike flat color profiles and the Master Pedestal feature. With Master Pedestal, shooters will be able to set the "black level" in-camera - either raising the blacks to bring out detail, or "crushing them" to make them blacker. There's a better explanation on page 20 of the HMC150 handbook here.

 Here is what Panasonic says in the "About" section of the video:

"The new Panasonic GH4 is a great tool for Indie Filmmakers.
With its new CineLike D and V features you will be able to record videos with up to 13 stops of Dynamic Range with a cinematic roll off.
It also features the Master Pedestal option, which will lift your shadow areas, giving you an even better Dynamic Range.
That means that you wont have to worry about your Highlights or your Shadows, because the new GH4 will deliver a beautiful, cinematic image.
Use it in 96fps 1080p, to create a wonderful slowmotion, or even in 4k, to deliver a high-end, powerful image!"

Even without 4K, this is going to be a powerful camera for filmmakers.  I've already pre-ordered mine - if this post has helped you to make a buying decision, you can reserve yours by clicking on the display ad below.  It won't cost you anything extra, and it will help to keep blog posts like this coming. Thanks!

Monday, March 10, 2014

Panasonic GH4 Pre-Order Link Up at Adorama and Amazon!





Adorama has their Panasonic DMC-GH4 4K camera pre-order link up, as does Amazon.

If you want to get one of the first few cameras when they start shipping, you may want to click on the one of the links above or the display ad below right now and get in line.

Good luck!