Friday, March 8, 2013

Sony F5, BMCC, RED Scarlet Shootout

522 Productions in the DC area just posted this great little shootout between the new Sony F5, the Blackmagic Cinema Camera and the RED Scarlet.


They were able to compare side-by-side video of the BMCC and the RED, but they had to go with screenshots on the F5 because they use Adobe Premiere and the camera is so new it doesn't have an Adobe plugin yet. Nevertheless, they liked the ergonomics, the menus, the manual controls and the overall handling of the F5 most of all.  In part 2 of this shootout, they'll compare workflow in post for all three of these cameras. 

If you need a camera with film-like dynamic range and 2K or greater internal RAW recording, and you don't want to wait for the BMCC, the F5 is pretty much the only game in town.  And, even after the BMCC starts shipping in volume, the F5 will be the only 2K+ RAW camera below $20,000 with 120fps and XLR inputs. They are in stock right now for $16,490 at Adorama.

Friday, February 22, 2013

New Nikon D7100 - GH3 killer?


Is this the GH3 killer?  So soon?  With its true weathersealing, new moire-free Toshiba sensor (demonstrated by Andrew Reid on the D5200), headphone jack, dual SD card slot and $100 lower price - is the D7100 a true hybrid still/video competitor for the GH3?

It will really depend on how the video looks (the only video Nikon has released to date is a low-res ISO 6400 flash clip, which you can see here).

But a few things are certain. It will not match the noiselessness of the GH3's electronic shutter, wi-fi capability, unlimited continuous video clip length, articulated LCD and 1080/60p.  And it doesn't have the GH3's choice of bit rates and codecs.

The D7100 looks like a solid competitor for the GH3, but, in my view, it is not a GH3 killer.

Tellingly, Nikon's product video for the D7100 doesn't mention video at all.  The video images from this camera may turn out to be great, but from a marketing perspective, ignoring consumers who are interested in video is a fail.

All of that said, if you already have Nikon lenses, and you want a potentially moire-free, weatherproof still/video camera with a headphone jack that is not much larger and heavier than the GH3 - the D7100 may be the camera for you.

If so, and if you find the information here useful, please support future reviews, and video tutorials by pre-ordering your D7100 from these links at Amazon or Adorama. Thanks!

Saturday, February 16, 2013

A Few Panasonic GH3s Available and Shipping Now




I am certainly grateful to have been able to get my GH3 in December, but for those who have had a hard time finding one in stock and need one now, there are a few available new for $1299.99 from National Camera Exchange via eBay - and at least one available used from Amazon for $1222.64.

Let's hope Panasonic gets more cameras into the distribution channel soon.




Saturday, February 9, 2013

More Signs of the end for 35mm Filmmaking?

I know this is a blog about digital still/video hybrid cameras, but I grew up in film school in the '70s shooting on Super 8 and 16mm  - and aspiring to shoot 35mm.  Llife happened, and I never got to shoot my "big 35mm feature", but it is nevertheless sad to see the long, slow death of a century year old technology/art form.

A new blog post from Shane Hurlbut, ASC  brings this into focus - as does a Keanu Reeves-produced documentary called Side-by-Side.

Shane's blog post, "Digital Cinematography vs Film: Tides are Turning" recounts his decision process as he and his director, Scott Waugh, set out to determine whether to go with film or digital on Need for Speed, the  new Michael Keaton vehicle.

The line in this post that jumped out at me was, "What was immediately clear was that film was not the right choice for this project..."

Also interesting is that the list of cameras that Shane tested for use on the picture includes cameras we have written about (and considered buying!) here, on this lowly blog - the BlackMagic Cinema Camera and the Canon C500.

Shane is on the leading edge, along with George Lucas, Jim Cameron and Robert Rodriguez (and the readers of this blog :)).  Not everyone welcomes this revolution, however.  For proof, see Keanu Reeves' excellent documentary, Side-by-Side

For anyone interested in movies or moviemaking, this is an awesome behind the scenes look at the revolution that is transforming Hollywood. Here is the trailer:




Two thumbs up.  Kudos to Executive Producers Keanu Reeves and Justin Szlasa, and Director Christopher Kenneally for this great piece of contemporary film history.

If you like the trailer, you can watch the full length movie on Amazon Instant Video (free for Prime members, $5.99 for everyone else).

Monday, February 4, 2013

Audio Technica AT835 and the GH3 - Pro mic vs Consumer Mic Shootout

Here is a test of my "new to me" Audio Technica AT835 plugged directly into the GH3.  I bought this AT835 used on eBay for $75 shipped.  This is not unusual.  If you are patient, it is possible to find deals on many old XLR shotgun mics.

To get the 600 Ohm balanced XLR output from the AT835 into my 2500 Ohm camera, I bought a Hosa MIT-156 XLR to 3.5mm line matching transformer for around $20.  You can pay more for a Shure A96F, but the Hosa does a great job.  Here is a picture of the setup, with a $23 Rainbowimaging pistol grip:



Please watch the video below to see how the $75 used AT835 stacked up against the $80 Azden SMX10 consumer mic, also plugged directly into the GH3.  Not to prejudice you before you listen to the test, but this experience tells me that picking up a used pro mic on eBay can be a pretty good investment - especially when compared to the price of camera mounted prosumer mics such as the $229 Rode VideoMic "Pro".

After trying the two mics out side-by-side, I am very glad to have adapted a pro mic to the GH3.  The only challenge is the length of the AT835. As you can see from the video, it is literally a "shotgun" - and sticks pretty far out in front of the camera.
I will probably end up getting something a little shorter (maybe a used Sennheiser K6/ME64 for about the same price as a VideoMic Pro), but, in the meantime, the AT835 is a great solution.
If you find these posts helpful in deciding to buy something through eBay, Amazon or Adorama, please use the links on this blog (at no extra cost to you). And if you found the video helpful, please link to it directly on Vimeo and donate a little something to the "tip jar".
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Thursday, January 10, 2013

CES 2013 Flagship Camcorder Roundup

The three big camcorder players (Canon, Panasonic, Sony) all announced new top-of-the-line models at CES this year.  Some have chosen to simply tweak to their 2011/2012 offerings - while some are offering more significant upgrades.

The big news, in my view, is that JVC, which has tried for many years to crack the top tier, may finally have broken through with a game changer.

Canon

First the tweakers - starting with Canon.  Since 2011, Canon's HF G10 has been the low light consumer camcorder champ.  This camera has held its value at over $1000 MSRP against assaults from the Panasonic X900 in 2012 and the Panasonic TM900 before it.


I guess Canon figured - 'why mess with success?' - so they say they've improved the low light sensitivity of the HF G20 over its predecessor, but not much else.  No 1080/60p - and they've dropped the HF G10's LANC terminal.  Price stays about the same as the HF G10's current price point.  If you want a tweaked HF G10 with better low light sensitivity (according to Canon), you can pre-order the HF G20 from Adorama for $1099 here.

Panasonic




At a slightly higher price point (for now) is the new Panasonic HC-X920.  Again, the major emphasis is on improving the low light performance of the predecessor HC-X900.  Panasonic claims to have done this with backside illuminated sensors (BSI). I shoot with the 2011 model, the TM900, which does a good job in low light.  The X920 is supposed to be even better. The 900 series cameras have been solid performers, with a great feature set - 1080/60p and 24p; manual control of exposure, focus & sound level; a standard cold shoe for mounting accessories; and other features that differentiated them from the competition.  Their only second place finish has been in low light performance.  If backlit chips can fix that, this could make the X920 the class leader.  You can pre-order the HC-X920 directly from Panasonic here for $1199.99.


Sony



Sony's new flagship is the HDR-PJ780V.  This camera fixes two challenges Sony had with their predecessor flagship - lack of a standard cold shoe and no manual control of audio.  Now, with full manual control of audio levels (and improved audio quality), and Sony's new Multi Interface Shoe (which accepts standard cold-shoe mounted accessories). they have removed the biggest limitations of their previous flagship models.  You can pre-order this camera for $1599.99  at the Sony Store.


JVC


For me, JVC is the most interesting story here.  I have a great camcorder (the TM900), and was not interested of the new camcorders announced at CES until I saw this picture of the new JVC GC-PX100:



 I really like the "DSLR look" and the feature-set of this camera:


  • 1080/60p at 36mbps
  • 10x f1.2 max aperture servo zoom
  • 12MP stills at 9fps
  • Articulated LCD and an optional EVF
  • Multiple codecs (AVCHD, MP4, MOV)
  • Wi-fi with iOS/Android phone/tablet monitoring
  • Time lapse intervalometer


This camerahas everything on my wish list except weathersealing, XLR inputs and depth of field control (although the f1.2 max aperture offers some interesting shallow DOF possibilities).

And the $1000 price is reasonable, when measured against the competition. Without the viewfinder, the PX100 is $300 less than a body-only GH3 and only $450 more than the FZ200 bridge camera.

This could be both a "video DSLR killer" and a "high-end superzoom killer".

If the image quality is competitive with the $1200 X920, $1600 PJ780V and/or $1100 HF G20, it could be a "flagship camcorder killer" too.

Looks like there's a new camcorder on my shopping list.

Monday, January 7, 2013

Poor man's XLR jack for GH2/GH3

I was tired of noisy amateur "shotgun" mics with poor off-axis noise rejection, poor frequency response and flimsy little 3.5mm jacks and consumer cable.  I wanted to upgrade my mic quality - but I didn't want to spend a lot of money for a JuicedLink or Beachtek preamp/XLR to DSLR adapter.

 I heard that some people were running battery powered XLR mics directly into 3.5mm jack equipped camcorders and cameras with line matching transformers - so I set out on a quest to see if  could make it work - and I did.

I'm now running a $75 used Audio Technica AT835 mic (sourced from eBay) directly into my GH2 with a $15 Hosa Low Z to High Z transformer and a $5 Hosa GPM-467 3.5mm to 2.5mm adapter.  The windscreen is a $55 Olsen Mic Muff MM-21. It works really well for my application (standups right in front of the camera for my vlog).

The preamps on the GH2 are not great, but they are good enough for this - and the GH3's are even better.

No phantom power - but that's what battery powered mics are for.

When this setup is connected to the GH3, I won't need the GPM-467 any more.  A lot less expensive than Panasonic's $349 OEM solution :)