Okay, okay. Everyone is tired of this question - what's going to kill the DSLR? So far, consumers have ignored just about every alternative to heavy mirror boxes, mirror shake, a limited number of mechanical shutter actuations and viewfinders that are blocked by the mirror when shooting video.
Mirrorless cameras solve all of these problems - but despite the mirrorless "revolution", DSLR sales continue to rumble along, and relatively large and heavy reflex mirrored cameras beat mirrorless cams month after month on the sales charts - especially in the US market. Americans seem to want their cameras big - like their houses and cars.
Nikon has
admitted to dismal sales of the
Nikon 1 - the
Canon EOS M had to be marked down to $349 from its ridiculous $649 initial price to gain any traction - and you can't find an Olympus or Panasonic camera on the
Amazon US DSLR Best Sellers' list anywhere in the top 20. As of today, the
Panasonic GH3 is the top mirrorless camera on the list, probably because it is
on sale for $998 (perhaps to compete with the
$995 Pocket Cinema Camera).
David Taylor-Hughes over at
soundimageplus says the mistake the mirrorless manufacturers made was to make their cameras too small (as an appeal to the youth market) - leaving the traditional DSLR design (and people who actually buy cameras) behind.
His principal criticism, though, is that these little cameras were too expensive - that consumers who make up the bulk of the market walked into shops and saw traditional DSLRs with higher resolution sitting next to a small, and often funny colored, camera with a 16 megapixel count and a higher price tag - and made the rational decision.
I have to agree. Poor first-generation EVFs; slow first generation autofocus; small, low resolution sensors and nontraditional design - all of these have been challenges for mirrorless cameras - but their Achilles heel has been that they are so darned expensive.
Why does a
$796.95 Nikon 1 V2 body cost $100 more than a
D5200 body, for example? And Nikon is surprised that Nikon 1 sales are tanking? I completely understand recouping R&D costs - but companies that don't sell cameras don't recoup their costs, and don't stay in business very long.
Which brings us to the new
Sony A3000. Four and a half years after the groundbreaking
Panasonic G1, this is the first DSLM that looks like a DSLR, has the same sized sensor as a crop sensor DSLR, breaks the 20 megapixels resolution barrier - and actually costs
less than an entry level
Nikon D3200 or
Canon T3i.
The
Samsung NX20 came close - but, following in the footsteps of other low-sales mirrorless manufacturers, Samsung overpriced it.
The
A3000 is certainly not perfect. Sony has cut unfortunate corners with it (non-standard hot shoe, no OLED, fixed LCD, no mic input, no wireless and no 60p) - but they have the big things right. Shout out to Olivia Speranza from
Oliviatech who does a great job of pointing out the pros and the cons in the official Signal by Sony video:
All of that said, the
A3000 looks like a camera, not a candybar with a lens on it. To my eyes, the somewhat more capable
NEX-5T looks like a toy next to the
A3000 in the video.
It has a DSLR-sized sensor, it's over 20 megapixels of resolution - and, most of all, it is affordably priced.
Consumers seem to have responded. As of today, preorders for the
A3000 make it the best selling Sony on Amazon's DSLR list.
We'll see if this is a flash in the pan - or a harbinger of things to come.
In my view, this camera will appeal to a lot of people who want a lightweight travel viewfinder camera that actually looks like a camera, has a big camera sensor with big camera resolution - and doesn't break the bank.
If Sony can actually get this camera into the retail channel, they will sell a lot of them this Christmas.
, the $200 off, $998 Panasonic GH3 deal
ends tonight.
came in, and Professor Tu was right. This is a great way to mount multiple accessories. I especially like the way he tilted the external recorder back, making it easy to monitor sound levels from behind the camera. For cameras such as the EOS M
, Pocket Cinema Camera
and GH3
, $27 hot shoe extension
and $32 Windtech MM-21 mic muff mounted on a $25 Campro Deluxe Shock Mount
. I can remove the whole thing from the camera by unscrewing it from the hot shoe and removing the Sescom cable between the recorder and the camera, the setup costs less than a cage would have, it works like a champ and I look forward to trying it on the Pocket
!d!~~60_57.JPG)
for $75 shipped. This is not unusual. If you are patient, it is possible to find deals on many old XLR shotgun mics.
for about the same price as a VideoMic Pro), but, in the meantime, the AT835 is a great solution.
