Showing posts with label NEX. Show all posts
Showing posts with label NEX. Show all posts

Wednesday, August 28, 2013

NEW Sony A3000 - Entry-level DSLR killer?



Okay, okay. Everyone is tired of this question - what's going to kill the DSLR? So far, consumers have ignored just about every alternative to heavy mirror boxes, mirror shake, a limited number of mechanical shutter actuations and viewfinders that are blocked by the mirror when shooting video.

Mirrorless cameras solve all of these problems - but despite the mirrorless "revolution", DSLR sales continue to rumble along, and relatively large and heavy reflex mirrored cameras beat mirrorless cams month after month on the sales charts - especially in the US market. Americans seem to want their cameras big - like their houses and cars.

 Nikon has admitted to dismal sales of the Nikon 1 - the Canon EOS M had to be marked down to $349 from its ridiculous $649 initial price to gain any traction - and you can't find an Olympus or Panasonic camera on the Amazon US DSLR Best Sellers' list anywhere in the top 20. As of today, the Panasonic GH3 is the top mirrorless camera on the list, probably because it is on sale for $998 (perhaps to compete with the $995 Pocket Cinema Camera).

David Taylor-Hughes over at soundimageplus says the mistake the mirrorless manufacturers made was to make their cameras too small (as an appeal to the youth market) - leaving the traditional DSLR design (and people who actually buy cameras) behind.

His principal criticism, though, is that these little cameras were too expensive - that consumers who make up the bulk of the market walked into shops and saw traditional DSLRs with higher resolution sitting next to a small, and often funny colored, camera with a 16 megapixel count and a higher price tag - and made the rational decision.

I have to agree. Poor first-generation EVFs; slow first generation autofocus; small, low resolution sensors and nontraditional design - all of these have been challenges for mirrorless cameras - but their Achilles heel has been that they are so darned expensive.

Why does a $796.95 Nikon 1 V2 body cost $100 more than a D5200 body, for example? And Nikon is surprised that Nikon 1 sales are tanking? I completely understand recouping R&D costs - but companies that don't sell cameras don't recoup their costs, and don't stay in business very long.

Which brings us to the new Sony A3000. Four and a half years after the groundbreaking Panasonic G1,  this is the first DSLM that looks like a DSLR, has the same sized sensor as a crop sensor DSLR, breaks the 20 megapixels resolution barrier - and actually costs less than an entry level Nikon D3200 or Canon T3i.

The Samsung NX20 came close - but, following in the footsteps of other low-sales mirrorless manufacturers, Samsung overpriced it.

The A3000 is certainly not perfect. Sony has cut unfortunate corners with it (non-standard hot shoe, no OLED, fixed LCD, no mic input, no wireless and no 60p) - but they have the big things right.  Shout out to Olivia Speranza from Oliviatech who does a great job of pointing out the pros and the cons in the official Signal by Sony video:




All of that said, the A3000 looks like a camera, not a candybar with a lens on it.  To my eyes, the somewhat more capable NEX-5T looks like a toy next to the A3000 in the video.

It has a DSLR-sized sensor, it's over 20 megapixels of resolution - and, most of all, it is affordably priced.

Consumers seem to have responded. As of today, preorders for the A3000 make it the best selling Sony on Amazon's DSLR list.

We'll see if this is a flash in the pan - or a harbinger of things to come. In my view, this camera will appeal to a lot of people who want a lightweight travel viewfinder camera that actually looks like a camera, has a big camera sensor with big camera resolution - and doesn't break the bank.

If Sony can actually get this camera into the retail channel, they will sell a lot of them this Christmas.


Monday, April 1, 2013

Lowest price for an APS-C Camera with lens - Sony NEX-F3 for $369!

Today's Amazon Gold Box deal - a whole lot of bang for the buck - the Sony NEX-F3 for just $369 (while they last!)


Here is an example of what this little camera can do:




If you're looking for a large-sensor pocket still/video camera, the F3 is good value for your money - especially at this price!






Monday, September 17, 2012

Pre-ordered my Panasonic GH3 DSLM!


It's here!  As Andrew Reid at eoshd says, "This camera is basically a dream..."  I have to agree.  The convergence of pro stills and video in the same camera makes the GH3 the realization of the hybrid camera dream.

As a GH2 still shooter who was dissatisfied with the build quality, autofocus speed and the lack of dynamic range in my stills, the new magnesium alloy body, lightning fast autofocus and HDR mode are what I have been waiting for.

As a GH2 video shooter reluctant to hack my camera, I have been waiting for a high bit rate camera with a stable codec capable of shooting 1080/60p with one hour plus video clip length (outside of the EU), manual audio level control, a headphone jack, XLR inputs (or at least an external accessory with XLR inputs), and clean recordable HDMI output.

So, for $1300, Panasonic has given us much of what has been on photographers' and filmmakers' wish lists for the last couple of years - and more besides (official specs here).

After being tempted by one or two of the plethora of cameras that Sony has announced over the last few weeks, I have put my pre-order in for the GH3.  Sony came closest to getting my business with the $3600 EA-50 or the $2800 A99, but $3600 is a lot of money for a prosumer camera - and the A99's 30 minute continuous shot limit makes it a "video clip" camera, and not a video camera.

It is a great day to be a photographer/filmmaker!

If you enjoy these posts, please support this blog by pre-ordering your GH3 through these links from Amazon for $1299.00 or Adorama for $1299.99.  They won't charge your card until it ships.

Thanks so much.


Thursday, August 23, 2012

Dan Chung from DSLR News Shooter gets the 411 on the NEX-EA50

Great hands on with a pre-production model of the EA50 at a trade show in China.  I love how Dan takes charge of the interaction with the Sony rep :)  I was wrong about the power zoom - it is compatible with any NEX camera using the zoom control on the lens!  Great news for VG20 and FS100 shooters.  Worth watching to see how Dan takes the lens off the EA-50 and puts it on a 5N he "happens" to have in his pocket.  This is my favorite trade show hands-on ever.




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Saturday, August 18, 2012

Goodbye Frankenrigs! Hello Sony NEX-EA50!



Sony has taken another huge step towards the convergence of large sensor interchangeable lens hybrid still/video cameras with the new NEX-EA50 for $4500, including a new 18-200 servo zoom lens (also compatible with the FS700, but not and the FS100).  Here's the usual over-produced Sony release video (story continues after the jump):



The specs look like Sony engineers and marketeers have been reading my mind.  Shoulder mount large-sensor camcorder with high resolution 16MP stills (with RAW). 1080/60p. Built-in XLR inputs with full manual audio level control and pro quality sound. A top handle. A real power zoom with a rocker instead of Panasonic's stupid ring. As anyone who reads my posts on this blog and elsewhere knows, I am a big fan of Panasonic's GH1 and GH2 cameras (I own both).  And I've been looking forward to the rollout of the GH3, rumored to be next month at Photokina in Berlin.

But, even without seeing a whole range of images from this camera, if it only matches the image quality of the VG20 (which I have some experience with) this new entry from Sony steals a lot of Panasonic's thunder.


The Panasonic GH3 is unlikely to have XLR inputs or a shoulder mount - so shooters will still have to buy shoulder rigs and external recorders, closing the price gap with this new camera.

If the GH3 is introduced at the $1000-$1200 body only price point (comparable to the OM-D EM-5 and NEX-7), shooters would have to add a $300 power zoom lens, a $170 XLR capable external recorder, a $220 XLR boom mic and a $1000 Redrock shoulder rig to make it as functional as a straight-out-of-the-box EA50.

And if the GH3 doesn't have a headphone jack and 1080/60p, it is going to lose a lot of sales to this camera - perhaps including mine.


Worse for Panasonic - at the ~$4000 price point, the EA50 arguably has better video camera ergonomics than the AF100 - with the addition of the still camera chops that the AF100 lacks (it is even a better still camera than the $8000 8MP capable Sony FD700!).

No, it doesn't have the AF100's built-in ND filter or HD-SDI-out, but a $30 variable ND filter and a $180 HDMI to SDI converter will fix that for significantly less than adding the cost of a shoulder rig and separate still camera to the price of the AF100.

This camera really hits a sweet spot for shooters who want to upgrade from a DSL camera to a hybrid still/video camcorder with built-in XLRs - but aren't that excited about bringing their shoulder rigs along with them - and don't want to pay $8000 for the still/video capable FS700.

And for those thinking about the FS100, who want a shoulder mount and the ability to shoot high quality stills - and who want to pay about $1000 less for a camera with the 18-200 lens included - it might be worth giving up a little sensor size and image quality (Andrew Reid at eoshd disagrees with me ;)).

I think Sony's going to sell a lot of these.

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Wednesday, March 23, 2011

New Sony NEX-FS100 -- Panasonic AF100 Killer?

We're getting our first look at the "entry-level" large sensor interchangeable lens camcorder from Sony, the NEX-FS100 -- and it looks good. It seems to have almost everything that DSLR form-factor hybrid shooters have been asking for in a camcorder -- big 35mm sensor, interchangeable lenses, in-camera undercranking and overcranking, uncompressed 4:2:2 HDMI out, dual XLR inputs, headphone out. And, according to early reports, the U.S. list price ($5850) will be competitive with the AF-100 ($4995). But, we are also told, it lacks a couple of basics that the AF100 does have -- a built-in ND filter and HD-SDI out (why, Sony, why?). It will be interesting to see side-by-side comparisons of the two cameras when the FS100 hits the street. For now, I'll rent the AF100 if I need the camcorder form-factor, and use the lenses from my GH2!

Update: According to this hands-on review from Nigel Cooper of DV User (UK), the Panasonic AF101 beats the new Sony FS100 for ergonomics and build quality -- while the FS100 edges the Panasonic slightly in image quality. We will have to see what other reviewers and shooters say as more people gain experience with the camera.

In the meantime, enjoy these promo videos from Sony:





And here are a few early links with more info:



Product page from Sony (US)

Product page from Sony (UK)

Blog posting from crews.tv (NZ)

In the meantime, if you're disappointed by the new Sony and you need HD-SDI and a built-in ND filter, you can get the AF100 for $4795 here.