4K Panasonic VariCam 35 vs 3.2K Arri Alexa

4K Panasonic VariCam 35

3.2K Arriflex Alexa

Over the last few years, as 4K (and higher) resolution digital cinema cameras from other manufacturers have flooded the marketplace, Arri has steadfastly (some might say stubbornly) resisted giving its cameras the ability to record at resolutions higher than 2K.

In answer to a question at IBC 2012 on when there would be a 4K version of Alexa, for example, camera system product manager Marc Shipman-Mueller said  "...there is just not an urgent need for it...".

Suddenly however, the need must have suddenly become more "urgent" - because Arri has, in quick succession, announced UHD ProRes for Amira (August 2014) and 3.2K ProRes for Alexa (February 2015).

Perhaps coincidentally, the Amira upgrade was announced a few weeks before the new Panasonic VariCam 35 started shipping.  This is a camera that Panasonic seems to have aimed squarely at Arri.  With its 14+ stops of advertised dynamic range and true 4K 120fps ProRes recording, DPs are getting results like these:


 


 





For more examples of the stunning image quality this camera can produce - especially at its "dual native" ISOs of 800 and 5000, please join the new Panasonic VariCam 35 community I moderate over on Vimeo.

And if you're in the market for a high end 4K, 14+ stop cinema camera that can record 2K and 4K simultaneously, features slow motion at up to 120fps and a native ISO of 5000, you can buy or finance the VariCam 35 at Omega Broadcast for $55K.

As always, even if you're not in the market for a VariCam or an Alexa, please shop using the links above or the displays below and in the margins. It won't cost you anything extra, and it will help to keep these posts coming.

And for the latest deals, news, tips and techniques, please follow HCR on Blogger, Twitter and YouTube  - and circle us on Google+.

Panasonic VariCam 35 4K RAW Camera/Recorder Announced!

The new Panasonic VariCam 35 4K RAW camcorder

Finally! Panasonic comes up with a follow-on large sensor, interchangeable lens camcorder and enters the Super 35 game with a 14 stop 4K RAW modular camera and recorder. The Press Release (link below) says, "Ultimate Image Production for Cinema or Episodic Drama". The price is still TBD, but sources say it will be over $10K. It had better not be much over $10K if Panasonic wants to be competitive with the newly marked down $20K Canon C500.

The recorder can also be matched with a new VariCam HS 2/3" camera head for broadcast.

Both cameras will have 4 card slots - 2 for full size P2 cards, 2 for microP2 cards (the same cards used by the GH4).

The venerable Panasonic AG-AF100

A lot has happened in the four years (!) since Panasonic shook up the camcorder world with the first-ever large sensor interchangeable lens camcorder under $10,000, the AG-AF100.

With the passage of time, it may be a little difficult to remember how revolutionary this camera was - especially in the wake of successive rollouts of Super 35 interchangeable lens cameras from Panasonic's competitors - the Sony FS100, F3, FS700 ; quickly followed by the Canon Cinema EOS Line; the Sony F5/F55 and, most recently; the $2995 UHD Blackmagic Production Camera.

The VariCam 35, with its true 4K/120fps and HD 240fps slow motion, wireless capability, and other unique features is clearly a bid to regain Panasonic's leadership in the large sensor camcorder world.

If Panasonic can make this camera price competitive with the C500, it is likely find its way onto lots of movie and TV sets. If Panasonic RAW color is anywhere close to ArriRAW, it may even find itself competing with the big dogs. Welcome back, Panasonic. Here's the Press Release.