Thursday, June 28, 2012

Canon T4i vs Panasonic GH2 shootout in progress



I rented the new Canon T4i with the 40mm STM (STepper Motor) pancake today for a side-by-side comparison with an unhacked Panasonic GH2.  I will shoot the comparison over the next few days, with the emphasis on the T4i's new video friendly features (autofocus in video mode, silent lenses, touch screen rack focus).  If there's anything else you'd like to see - please let me know in the comments section - I'll incorporate it in the shoot if I have time (it's a 3 day rental).

First impressions: After selling the T2i and shooting with the GH2 for a year and a half, I'd forgotten how big the mirror-box camera are.  Even with the pancake lens, the T4i seems heavy and bulky compared to the GH.  And I'd also forgotten how annoying it is not to have auto-switching between the viewfinder and the LCD - and to lose the viewfinder when I want to shoot video (grrr).

That said, I'd also forgotten how nice the Canon menus and interface are.  I haven't used the T4i's touchscreen for video yet, but I have used it to set the date and time - and it is a lot more responsive than the GH2's touchscreen.

This is going to be a great shootout!

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Friday, June 8, 2012

"New" Canon T4i - 2010's Features - Today

The new Canon T4i/650D was introduced today with several new features - to include a touchscreen, autofocus in video mode, new silent autofocus lenses, a built-in stereo mic and a new DIGIC 5 processor. Digital Camera World in the UK has the first hands-on preview:

 


As a former Canon T2i owner,  it is nice to see that Canon is making an effort to catch up  - and I look forward to seeing video images from the new DIGIC-5 processor, but it is hard to get too excited. I have had a touchscreen, video autofocus, a silent AF lens and a stereo mic on my relatively moire-free (and less expensive) Panasonic GH2 for a year and a half.

All that is left now for Canon is to do something about the 12 minute clip length limit and the viewfinder that goes black in video mode.

That said, this would be a great camera for digital filmmakers who have a significant investment in Canon glass. And the new high ISO modes made possible by DIGIC-5 look promising.  Hopefully, DIGIC-5 will push Panasonic towards higher ISO/better stock low light performance as they finalize the GH3.

Canon USA press release here.

Available for pre-order at Amazon and Adorama.

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Thursday, April 5, 2012

Sony NEX-FS700 First Video - "Sony, I cain't quit you"


Ok, Sony. I resisted the FS100 and the VG20 - but you've got me with the FS700. I will be selling the GH1, GH2, TM900, H1 recorder, DR-40 recorder, ND filters - and eyeing everything else I own for its resale value. I must have this camera.

This is as close to the still/video singularity as any camera under $10K.  Its competitors at that price point, the FS100, AF100, 5DMkIII, D800 and GH2 all require too many compromises, hacks or add-ons.  I just want to go back to where I can pull out a camera, a microphone and a set of headphones and produce clean images in normal light without a bunch of matte boxes to make up for the lack of ND filters, recorders to compensate for poor in-camera audio, or thousands of dollars worth of lights to make up for crummy low-light performance.  And I don't want to have to sharpen a fuzzy image in post (5DMkIII), avoid shooting patterned objects for fear of moire (D800) or hack my camera (GH2) to get the best out of it.

240fps HD slow motion, 4K and HD-SDI on top of that?  This camera really is the proverbial game changer.

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Thanks!

Monday, April 2, 2012

It's Real! - Sony NEX-FS700 Press Release & Photos!




Goodbye AF100.

For "under $10,000", Sony's new Super 35 cam is getting closer to the still/video singularity.  A real video camera with large photosites, almost no moire or aliasing and stunning low light capability (if it's anything like the FS100), it will also produce 8MP still photos.  It will be no Nikon D800 or Canon 5DMkIII for stills - but those cameras don't have XLR inputs, HD-SDI out, a top handle, or camcorder style control of video.

With built-in ND filters and HD-SDI out, it blows away the two main advantages the AF100 had left.  And when it gets its 4K upgrade, look out Scarlet X -- and as for the C300, well, 'we hardly knew ye'.

I am as excited by this camera as I was for the AF100 (before I was let down by its resolution, low light performance and lack of still photo capability) and as I was for the FS100 (before I was let down by the lack of NDs, HD-SDI and stills).

With this camera, DSLR/DSLT/DSLM shooters like me might be able to finally sell all their old camera bodies and workarounds (external recorders w XLR inputs, attenuating cables to connect recorders to cameras, matte boxes w ND filter slots, backup small sensor camcorders, etc., etc.) and just buy one large sensor, interchangeable lens video/still camera.

If you're a Sony NEX shooter, of course, you're golden, because you already have system lenses.  Good thing I still have NEX adapters left over from renting the VG20 for my VG20/GH2 side-by-side comparison.

I'll be renting the new FS700 as soon as it comes out for a test - so please watch this space - and, if you like this blog, please support us by shopping with our sponsors through these links: Adorama, Amazon, Crutchfield, OneCall, and Unique Photo.

Thanks - and more video power to the people (press release after the break).

Euro Model Overview

Press Release

SONY EXPANDS NXCAM LINE WITH NEW
FULL-HD SUPER SLOW MOTION CAMCORDER

NEX-FS700U Delivers High Quality, Flexible and Creative Shooting Options for Workflows of Today . . . and Tomorrow

PARK RIDGE, N.J., April 2, 2012 -- Sony is pushing the creative boundaries once more with the new NEX-FS700U Full-HD Super Slow Motion camcorder, the latest in Sony's line of NXCAM interchangeable E-mount camcorders. The new Super 35mm model is designed for high-speed shooting, capable of capturing footage at up to 960 frames per second. The camera also features a range of capabilities such as 3G HD-SDI output and built-in ND filters. Additionally, it also offers several creative options, shooting styles, and enhanced ergonomics – all based on customer feedback -- to deliver a flexible production tool that can fit seamlessly into a variety of shooting applications.

"This camera opens a new door to creative shooting," said Juan Martinez, senior product manager at Sony Electronics' Professional Solutions of America group. "You can record beautiful high speed full HD movies with the freedom of creative interchangeable lens choice. The NEX-FS700U, with its super slow motion mode, is ideal for promos, TV dramas, commercials and documentaries as well as sports and a variety of event shooting."

The camera delivers full HD quality at 120 and 240 frames per second in a 16 or 8 second burst mode respectively. The NEX-FS700U's high sensitivity and low noise shooting capability makes super slow motion shooting more convenient without the need for additional equipment. Its 480 fps and 960 fps at reduced resolution are available for faster frame rate recording.

The NEX-FS700U camcorder uses a new 4K "Exmor" Super 35 CMOS sensor (Total 11.6 million pixels). This high-speed readout chip is optimized for motion picture shooting, giving high sensitivity, low noise and minimal aliasing.

The NXCAM line's E-Mount flexibility is designed to accept virtually all SLR and DSLR 35mm lenses, with the use of simple, inexpensive adapters without optical degradation. FS series owners can use their existing lenses and add more lenses without being limited to brands or mounts.

Users can capture high-quality still images with the NEX-FS700U. The camera also includes "face detection" and auto focus to help ensure that a subject is always kept in focus.

With the NEX-FS700U, operators can take advantage of the camera's built-in ND filters, with a newly designed ND filter wheel that rotates across the sensor like a turret. The wheel includes positions for Clear, 1/4 (2 Stop), 1/16 (4 Stop), and 1/64 (6 Stop).

The camera is 60/50Hz switchable to give shooters the freedom of working in any geographic region without being restricted to only PAL or NTSC recording.

The NEX-FS700U's 3G HD-SDI and HDMI connectors can output full HD 50p and 60p, in addition to standard HD 60i, 24p, 25p or 30p frame rates with embedded time code and audio. With 3G HD-SDI, it can output native 23.98, 25, 29.97 progressive signals. Users can elect to output PsF over the 3G HD-SDI. Thanks to flexibility of the digital ports virtually any external recorder can be paired.

Users can save up to 99 camera profile settings on a memory card, and can copy the same setting to multiple cameras. Compatible media includes SD and Memory Stick cards, and Sony's HXR-FMU128 flash memory unit that attaches to the camera.

The NEX-FS700U features a robust detachable top handle, secured by a pair of screws (a cold shoe, plus two sets of 1/4 and 3/8 inch holes) to allow secure mounting for heavy accessories. The handle is attached with a rosette mount.

A key element of the handle is an "active grip" that features four buttons for commonly used functions – expanded focus, auto iris, still capture and recording start/stop. Function buttons are also enlarged to make operation easy even while wearing gloves.

The camcorder's enhanced design also includes anchor points for compatibility with third-party accessories and a more durable design than previous models.

Sony is planning a future firmware upgrade that will enable the NEX-FS700U to output 4K bitstream data over 3G HD-SDI when used with an optional Sony 4K recorder.

The NEX-FS700U (body only) and NEX-FS700UK (with 18-200mm zoom lens) are planned to be available in June at a suggested list price less than $10,000.

Thursday, March 22, 2012

Short Side-by-side of TM900 and FZ150

I shot a very quick side-by-side of the TM900 and the FZ150 last month, but didn't post it because the "outdoor" comparison was shot through a window screen, the piece was edited in Windows Movie Maker (poor compression) and doesn't really show what either camera is capable of.  But I haven't had time to re-shoot it, and it does show a few things - e.g., a color reproduction comparison and the relative smoothness of the zooms - so I've decided to post it. Please watch at 1080p.

Bottom line: both cameras shoot great 1080/60p video in auto modes.  I will say this - I love my GH1 & GH2, but they take the most work to get great still/movie images.  The TM900 takes less work, but you still have to understand white balance and iris and shutter speed, etc. to stay out of trouble.  But the FZ150 takes almost zero effort to get great images.  When I just want to pick up the camera and shoot, I pick up my wife's FZ150. Bonus: it's the least expensive!

I will shoot a better comparison when I get some time - it may take a month or two, but I'll make it happen!



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Sunday, March 11, 2012

Tascam DR40 4 Channel Digital Recorder 15% off at Amazon!

Amazon special offer on the Tascam DR40 portable 4 track digital recorder.  I just scored one of these 'H4N killers' for $161.38 (regular price $189.96 - a 15% discount).  Discount is credited at checkout.

That's only $60 more than I paid for my Zoom H1.  They won't last long at this price.  Get 'em while they're hot!

Great review here.

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Friday, March 2, 2012

Canon 5D MkIII Available for Pre-Order at Adorama!

The Canon Mk III, announced yesterday, is already available for pre-order for $3499 from Adorama.  Expected delivery is March 30th.  Replacing the full-frame 5D MkII, the Mk III responds to the Nikon D800 with many of the features that Canon hybrid still/video shooters have been clamoring for.

On the plus side, Canon seems to have:

  • Dealt with their moire problem by eliminating line skipping with the powerful new Digic 5+ processor,
  • Upped the ridiculous 12 minute continuous video recording time limit to 29 minutes,
  • Included a headphone jack and full manual audio gain control - and the sample videos from Canon look pretty good (here, here and here)...
But on the minus side:

  • It still has a fixed LCD, so you'll need to buy a loupe to shoot outdoors
  • It has no EVF (because of the antiquated DSLR mirror box), so you'll need a monitor for high/low/around the corner shooting angles
  • And it is not clear to me that it has the ability to autofocus in video mode - although Canon's forthcoming silent autofocus lenses indicate that it will.

I plan to rent this camera for a side-by-side with the $900 Panasonic GH2 as soon as it becomes available.  Stay tuned - I'll let you know how it goes!

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