First footage from new URSA Mini 4K!

Looks like the shooters who make up "The Dreamers", a wedding video production house in the Netherlands, are the first customers to take delivery of a couple of $2995 4K Blackmagic URSA Minis (plus accompanying $1495 Blackmagic viewfinders) - and they've been good enough to take the camera out on a couple of wedding shoots and share the results.

They shot the first wedding in 10-bit 4:2:2 ProRes HQ at 1080/60p rather than 4K, but I have to say that it looks pretty good - except for the moire on the groom's jacket at 1:10.



The second wedding was shot in 3840x2160 Ultra High Definition, again in ProRes.

This video has been password protected as private, but you can still see it in the URSA group I moderate over on Vimeo:

A Styled Shoot with the Ursa Mini 4K (in UHD)

This one looks a lot cleaner. If you have a Vimeo Plus or Pro account, you can download it and see for yourself (if you don't, you can sign up for a Pro account here).

The best news, however, is ergonomic.  After a couple of generations of Blackmagic cameras that have either looked like toasters or cellphones or weighed too much to carry, the Dreamers say "[The Mini] is incredibly well designed -- everything is exactly where you expect it to be..." (hat tip to nofilmschool.com for the quote).

At $2995 body-only, this camera is a pretty amazing value for the money.  For those who can't afford the extra $2000 for the 4.6K version, this is going to be a great, 10-bit entry-level cinema camera.

Blackmagic is clearly going to have to drop the price of the vanilla $2995 Production Camera 4K when URSA Mini 4K starts shipping in volume.

Is the 4K Sony FS5 a 1080p Canon C100 Mark II killer?

After yesterday's chart comparing the specs of the new Sony FS5 and the Blackmagic URSA Mini, I received feedback from a reader who thought a better comparison might be with cameras such as the $3495 JVC LS300, $4195 Panasonic DVX200 and $5499 Canon C100 Mark II.

I thought this was a good idea, and wanted to take a look at how the new Sony stacked up against the other non-RAW cinema camcorders in its price class, so here is part deux of the "affordable cinema camcorder side-by-side comparison" between the FS5 and its sub-$6000 competition.  The most interesting part of this comparison (for me, at least) is on the right side of the chart - between the similarly priced 4K Sony and 1080p Canon:

	JVC LS300	Panasonic DVX200	Canon C100 Mark II	Sony PXW-FS5
Street Price (Body-only)	$3495	$4195 (w lens)	$5499	$5599
OEM Viewfinder	Yes	Yes	Yes	Yes
Sensor Size	Super 35 w var. crop	MFT	Super 35	Super 35
Lens Mount	MFT	Fixed	EF	Sony E
Max Recorded Resolution	3840x2160 (free 4096x2160 upgrade)	4096x2160	1920x1080	3840x2160 ($ 4096x2160 upgrade)
Max HD Frame Rate	60fps	60fps	60fps	240fps
Codec	MPEG4 8bit 4:2:0 (4:2:2 HD)	MPEG4 8bit 4:2:0 (ext. 10bit 4:2:2)	MPEG4 8bit 4:2:0	XAVC 8bit 4:2:0 (4:2:2 HD, $ ext. RAW upgrade)
Shutter	Rolling	Rolling	Rolling	Rolling
Mic Input(s)	2xXLR w phantom	2xXLR w phantom	2xXLR w phantom	2xXLR w phantom
Headphone Output(s)	Yes	Yes	Yes	Yes
SDI Out(s)	Yes	Yes	No	Yes
Storage	2xSD	2xSD	2xSD	2xSD
In Body Stabilization	No	Yes	No	No
ND Filter	Yes	Yes	Yes	Electronic
Native Power Zoom	<$300 (3x)	Fixed (13x)	$31K	$548 (6x)
Still Photos	No	No	No	No
Weight	3.6 lbs.	5.95 lbs. (w lens)	2.5 lbs.	1.8 lbs.

Of course, specs alone don't tell the whole story. Manufacturer support, personal preference, ergonomics, legacy lenses and other factors all weigh heavily on the final decision whether to buy one camera rather than another. All of that said, based solely on specs and price, the C100 Mark II seems to be the clear loser here.

Sadly, despite its lack of competitiveness in resolution and frame rates, Canon continues to sell $5000+ 1080p, 4:2:0 Super 35 camcorders into what is increasingly a 2160p 4:2:2 marketplace.  With the introduction of the $2998 Sony A7s Mark II, the situation is arguably worse for them in the full frame DSLR arena.

Canon has successfully ridden their breakthrough 2008 video success with the 5D Mark II for 7 years. It will be interesting to see how long that ride continues.

As usual, if anything here has helped you to make a buying decision, please order through the links above. It won't cost you anything extra, and it will help to keep these blog posts coming. Thanks so much for your support.

New Sony FS5 - URSA Mini Killer?

Today, 5 months after NAB 2015, Sony has launched a major counterattack against the URSA Mini (which finally started shipping yesterday).

The new $6699 (body only) Sony PXW-FS5 is a lightweight Super 35, E mount camera with a 240 fps super slow motion burst capability, a built-in electronic ND filter and compatibility with affordable Sony power zooms (such as the $548 Sony 18-105mm constant f/4).

As usual, Sony's marketing department had a sample video ready on the day of the announcement, something Blackmagic has not done in the 5 months since NAB:

Here's a BTS and interview with Producer Den Lennie and DP Mick Jones:

The size, weight and image quality from this camera appear to be ideal for independent narrative and documentary filmmakers.  Its compatibility with affordable power zoom lenses is an added bonus, and will probably cut into sales of the $4195 fixed lens Panasonic DVX200.

Here is a table comparing the specs between the FS5, both models of the URSA Mini and the Canon C300 Mark II (Canon's lowest priced 4K Super 35 camcorder).

	Mini 4K EF	Mini 4.6K EF	Sony PXW-FS5	Canon C300 II
Body Only Price	$2995	$4995	$5599	$15999
OEM Viewfinder	$1495 option	$1495 option	Yes	Yes
Sensor Size	Super 35	Super 35	Super 35	Super 35
Lens Mount	EF (add $500 for PL)	EF (add $500 for PL)	Sony E	EF or PL
Max Resolution	4000x2160	4608x2592	3840x2160 (paid upgrade to 4096x2160)	4096x2160
Max HD Frame Rate	120fps	120fps	240fps	120fps
Codec	ProRes 422 or RAW	ProRes 422 or RAW	XAVC 4:2:0 (4:2:2 HD, paid upgrade to ext. RAW)	XF-AVC 4:2:2 (4:4:4 HD)
Shutter	Global	Selectable Global/Rolling	Rolling	Rolling
Mic Input(s)	2xXLR w phantom	2xXLR w phantom	2xXLR w phantom	2xXLR w phantom
Headphone Output(s)	Yes	Yes	Yes	Yes
SDI Out(s)	Yes	Yes	Yes	Yes
Storage	2xCFast 2.0	2xCFast 2.0	2xSD	2xCFast 2.0
In Body Stabilization	No	No	No	No
ND Filter	No	No	Electronic	Yes
Native Power Zoom	NA	NA	$548	$31K
Still Photos	No	No	No	No
Weight	5 lbs.	5 lbs.	1.8 lbs.	7.4 lbs.

Bottom line - this looks like a nice little camera - 240 fps, the ND filter, the OLED viewfinder and HD 4:2:2 are great features - and it produces nice looking UHD images on YouTube - but $6699 is a whole lot of money to pay for 100mbps 8-bit 4:2:0 UHD.

The Blackmagic URSA Mini 4.6K EF (with the OEM viewfinder) is $209 less for a camera with higher resolution straight out of the box - plus built in 12-bit RAW recording (of course, that extra $209 might pay for one CFast 2.0 card).

All of that said, both of these are great cameras - Sony and Blackmagic are to be commended for giving filmmakers such terrific tools at these prices.

EDIT: Hat tip to reddit user /u/zdubs1, who points out that the pre-order price for the FS5 is actually $5599 , $1100(!) less than the $6699 list price.

This makes the FS5 a whole lot more attractive, and a real threat to cameras such as the $5499 Canon C100 Mark II, which is limited to 1920x1080p maximum resolution and has no upgrade path the 4K or RAW.

New Panasonic G6 closeout price - down to $369!

Now that the new 4K Panasonic G7 is shipping, we are starting to see some insanely low closeout prices on the still-terrific Panasonic G6. As of this post, a brand new Panasonic G6 with the 14-42mm kit lens is $368.98 from 100% positive feedback eBay seller jboverstock.

There are only three left at this price, so if you want one, you should pull the trigger now.

JVC GY-HM170 deal - a 4K professional camcorder with free XLR adapter & dual card slots for $1795

The Rodney Dangerfield of camcorders

JVC is a video camera company with many years of professional camcorder heritage - and they make great cameras - but that doesn't seem to get them much respect.

The big buzz in high end prosumer camcorders last year was the Ultra High Definition "4K" Sony FDR-AX100, which lists for $1698 (on sale right now for $1598).

But few reviewers (or camcorder buyers) seem to be aware than JVC offers a professional UHD camcorder at about the same price, the $1795 JVC GY-HM170 (on sale right now with a free XLR adapter and top handle) .

Case in point: there was a big update/review of the Sony AX100 at Cinema 5D recently - in part because Sony recently updated the camera with 100mbps Ultra HD.

Lost in the excitement over the AX100 upgrade, however, is the fact that the HM170 has been recording UHD at 150mbps since its release last fall.

Sony has also recently released an XLR adapter for the AX100. The $598 Sony XLR K2M adapter mounts on the AX100's non-standard hot shoe.  This addition gives the AX100 XLR mic inputs - but appears to make the camera a little top heavy and awkward. There's still no top handle.

The HM170's $399 XLR adapter, on the other hand, is built into a standard pro camcorder top handle. With the top handle mounted, the HM170 looks like its big brother, the HM200.  In fact, they become identical cameras, with the exception of the HM200's live streaming feature.

The pro HM170 has other standard features the prosumer AX100 lacks - such as HD 4:2:2 color subsampling, dual SD card slots and manual control of color (e.g., color gain, gamma, master pedestal).

At $1795, the HM170 is only a couple of hundred more than the AX100 - but, as of this post, it is the only professional 4K camcorder you can buy right now for less than $2000 (the $1999 Sony PXW-X70 doesn't count because you have to pay another few hundred to upgrade it to 4K).

To be fair, the HM170 is a traditional 1/2.3" sensor camcorder and the AX100 (and the X70) sport the larger 1" sensor.  If you need a 1" sensor, the HM170 is not the camera for you.

That said, if your budget is less than $2000 and you want a 4K camcorder with manual color control, XLR inputs and dual card slots, the $1795 JVC GY-HM170 deal with the free XLR adapter/top handle is pretty much the only game in town.

I have shot with the HM170's large sensor 4K stable-mate, the JVC GY-LS300, and the latest generation of JVC camcorders are the real deal.  Great image quality, good low light performance, pro ergonomics and reasonable prices.  They ought to be selling a whole lot more of them.

Super 35 camcorder prices continue to fall - 240fps Sony FS700 now $4999!

First generation large sensor camcorder prices continue their steady march downward. First, the Sony FS100 dropped to $2499. Then the Canon C100 dropped to $2999. Recently, the Panasonic AF100's price was slashed to $1999. Now, it's the Sony FS700's turn with a $1000 drop to $4999.

With its 4K sensor, RAW output, 1080/240p frame rate and power zoom compatibility, the FS700 was a breakthrough camcorder in its time. It's still tough to find a camera in this price class with a Super 35mm sensor and 240fps HD slow motion. As a reminder, here's what that looks like:



If you don't need 4K or RAW right now, but want a very capable slo-mo camera with built-in NDs, SDI out, XLRs and great low light performance, this might be a good opportunity to pick up this great Super 35 camcorder.

Panasonic AF100 pro camcorder now worth less than a couple of cell phones

                          

  

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Interestingly, the same day Panasonic's new $999.99 CM1 "communication camera" rolled out in the States, the company cut the price of its venerable AG-AF100 pro camcorder to $1999.

As a result, the AF100 is now worth less than the price of a couple of cell phones.

Looking back from 2015, it's hard to remember what a pioneering camcorder the AF100 was.  A year after the beginning of the DSLR revolution, Panasonic boldly unveiled a large sensor, interchangeable lens camera with XLR inputs, ND filters, a top handle and camcorder ergonomics and controls.  This was before the FS100, before the C100 and back when Blackmagic Design was still pretty much a video capture card company.

For a while, Panasonic had the market to itself - until its competitors figured out the AF100's vulnerability - its micro 4/3 sensor size.

The competition's first generation pro camcorders were Super 35.  Not only did they perform better in low light - they also had the cachet of a "Hollywood sized sensor."

Very quickly, the AF100 was eclipsed by the Sony FS100, the FS700 and then the Canon Cinema EOS series.

Now, about a half dozen manufacturers (to include AJA, Blackmagic, Kinefinity and JVC) are building sub-$10,000 interchangeable lens Super 35 cameras, while Panasonic's only offering in this price class remains the 5 year old AF100.

Panasonic really needs a Super 35 camera in this price class.  In HCR's opinion, the DVX200, with its micro 4/3 sensor and fixed lens, was a missed opportunity to fill this gap.

In the meantime, for shooters who don't need 10-bit or 4K and don't mind the smaller sensor, this is still a decent 8-bit 1080p camera - and, at $1999, might be worth buying as a starter cam for those want the camcorder form factor and can't afford a $2499 FS100 or a $2999 C100.

As always, if anything here has helped you to make a buying decision, please use the links here to make your purchases - it won't cost you anything extra, and it will help to keep these blog posts coming.  Thank you so much for your support of the revolution!